‘The Living Globe’ 2012

The Living Globe was part of the award winning Aldgate Project which saw over 600 students and twenty cross-disciplinary projects running in 2011-2012, with students from the CASS Faculty of Art, Architecture and Design of London Metropolitan University.

This was a collaborative MA Design short project (Feb-April 2012); Jewellery, Furniture, Product, Interiors, Textiles, Graphics

To see the launch presentation, see the Aldgate Launch (9 minutes in…)

See also Iniva Lecture ‘Paternalism’

Lecture notes;
‘I felt a living globe of marble, a thrill through my veins’

This was a project about cultural geography, public and private space. Aldgate is a place of pluralism, but also a clash of cultural beliefs and roles.

Thinking about socially constructed roles within space, place and material culture, the project will seek out metaphors for gender identity within the area.

Theory has long discussed male and female “spheres of influence”. Investigation of how social spaces are experienced bodily will take place, the project team will consider ideas of how cities are representations of the culture of the human body.

The team will collate a visual map of the area, combining/ juxtaposing oral responses from users/ observers.

Consideration of gender-specific places or gender segregation or gender division will take place. This is often so endemic or ‘natural’, that it is taken for granted, unseen.

Where to look;

Gender segregation occurs formally and informally, men only, women only, boys only, girls only. What is its effect upon the space and place and passing ‘unauthorised’ users? Thinking about the spatial relationships women and men have between home and work, the project team will consider how some theorists talk about ‘spatial entrapment’ of women, due to childcare etc.

Why are the social gender-specific spaces? How does this effect the other sex?

Some describe public space as by its nature (re; sex crime) to be masculine. How are alleyways, non-spaces used by men versus women?

What happens when social activities challenge gender presumptions? Consider this comment of a member of the public re; Jagonari ‘women should not be riding bikes. They are stimulating themselves. If they want to stimulate themselves they should get a man.’

What occurs with the change of role of women to the sex-service provider? Are gender roles simply heightened? Exoticism? What is the effect upon others within the vicinity directly, indirectly? Consider the Feminist 90′s movement to ‘take back the night’. Has this occurred?

What is the role of graphic communication within this? Exclusion, specialness, simplification, prohibitive, exultative? (Do you know this bionic woman?)

How is gender encoded in interiors, furniture, product design? Conventionally? Feminine, decorative, masculine engineered? Through visual signifiers, anatomical references, massage table etc?

How it encoded in conventions of dress? Proberty, exoticism? Military? Within the friendly (if slightly sinister) ice-cream seller? Machismo, gay archetypes, domination of the ‘man’s world’?

The project team will map the positive effects of segregation. Privacy? Intimacy? Safety? Non-gendered?

and the negative effects? Objectification, stereotyping, exclusion within genders/ sexual orientation/ faith etc.

The project team will seek to challenge the notion, prevent segregation…

Consider this quote ‘the worst of all worlds; danger without pleasure, safety without stimulation, monumentality without diversity’

Activities Includes:

Curated Themed Walks, Initial Sketch, Photo, Textual, Note Archival Documentation from Aldgate Journey, Detailed Primary Practice-Based Research (Sketch, Photo, Textual, Interview, Focus Group, Action Research), Research Exhibition Presentation
Through (careful selection of) appropriate primary research methods, we will research the effect of socially constructed ‘gender roles’ upon material objects, public and private space, domestic and social space, dress and/or behaviour within the Aldgate area. We will focus upon a particular sector of the Aldgate community (ie. gender, sexual orientation, faith, age, socio-economic), particular space, organisation or archival resource.
Through the research, students will investigate their individual research interests (and design intentions) with a particular emphasis on social intimacy and objectification/ material fetish. The project would run intensively for 4-6 weeks and conclude with a visual and textual analysis of local material culture & its relationship to social constructs & gender.
* La Marquise De Mannoury D’Ectot, 1882. Violette. In R. G. Jones, ed. 1996 Erotic Stories By Women. Penguin Books, pp. 1-19.

Research Question:

Aldgate as a case study of ‘the living globe’: gender-based ‘spheres of influence’ and the effect upon the built environment, material culture & fashion

Aims:

To document a visual record of gender-based influence upon public & private space

To recognise seen, unseen or systemic gender-based behavioural responses to material culture

To extrapolate the effect of widely-held gender politics upon the Aldgate community

Objectives:

To undertake seen and unseen photographic documentary of the Aldgate area

To analyse verbal and non-verbal signifiers of individual and group behaviour within gendered ‘spheres of influence’

To propose pattern responses in relation to challenged gender-specific roles

Introductory Letter

Public Consent Form

Living Globe Research Assistant Dataset